Tag Archives: PS4

Destiny 2 Vanilla Review (PS4)

I think I’m finally in a position to review Destiny 2. I’ve spent 100 hours in-game, got the platinum, completed the raid, finished the prestige nightfall, went flawless in Trials of the Nine, and got all three characters to max level (only one is 305 but they’ll get there). Just like Destiny 1, I think I’ve burned through all the content within a month of launch, and I’m still not entirely sure how much I enjoy it.

Clearly I’ve got my money’s worth, 100 hours is a ridiculous amount of time to spend on a game I only paid £40 for and I would easily recommend it to anyone with any kind of passing interest in FPS games; but still there’s a nagging feeling that it should have been so much better.

For those who have been avoiding the pages of Eurogamer and have no experience with Destiny as a franchise, it is a new breed of FPS from Halo-developers Bungie. Freed from their Microsoft overlords they embarked on a mission to create a multiplatform FPS that fuses some of the best elements of MMOs and FPS games together, and they largely succeeded with the first Destiny. It wasn’t perfect and took a few patches and expansion to realise the dream, but they created a new genre that was definitely appealing and addictive. You play through a standard FPS story mode with some open world aspects then group up with other players to work your way into the ‘end-game’ made up of typical MMO tropes of dungeons, raids, and PVP. In return for beating the various challenges you get gear that increases in power, and thus begins the familiar MMO treadmill of getting better gear to be able to take on harder content in order to get better gear and so on.

The first Destiny did a fantastic job of introducing raid mechanics with the Vault of Glass raid and proved that FPS games could work with raid mechanics and large group strategy. While the game didn’t really find a proper voice in terms of story and progression until the later expansions, that first raid really hooked a certain type of player and we were all looking forward to the sequel to see what they could do next. Then Bungie decided to take a step backwards.

While Destiny 2 is an incredibly accomplished game, it moves backwards in nearly every respect to be closer to what the original game was before the DLC. The horde modes, sparrow racing, reputation grinds and even sparrow horns are all gone. Raid and strike gear has lost the interesting perks that made them unique to that part of the game. PVP has a very limited pool of maps and only three playlists to choose from. The Patrol zones (open world areas where you can complete various objectives for rewards) all feel strangely lifeless with the exception of the excellent EDZ.

That’s not to say what’s there is bad in most respects, it’s a beautiful game, the music is hauntingly memorable and evocative, the gunplay is as satisfying as ever, the strikes and raid are nearly faultless (with the exception of one strike that happens to be this week’s nightfall) and the campaign is much more effective and interesting than its predecessor.

It just feels like so much is missing and no one needs to ask why, they’re keeping it for DLC. The season pass is already on offer and will clearly reintroduce much of what we’ve lost to people that pay for it, over the course of the year. I’m sure by this time next year we’ll have at least one more raid, more strikes, more exotics, more multiplayer modes and more patrol zones, but by the end of it I’m worried that we’ll just be clawing our way back to how good the first game was by the end. Bungie had an opportunity to take their awesome framework, make a huge amount of content to justify a new game, then go even further with their DLC. Instead we have a stripped back game, almost devoid of real end-game content, and an offer to pay a lot more money to get what we’ve lost back further down the line.

The issues with end-game only really manifest after you’ve put in a decent amount of time already into the game. If you’re the sort of person who’s only going to be playing for an hour or two a week, ignore this and just go get the game. You’ll have an awesome time with it and never run out of things to do. If you’re like me and want to put in 5+ hours a night, you’ll run into the same problems I have. Firstly, the maximum level is too attainable. Once you get to level 20 (around 8-10 hours in for your first character) you can only progress by getting item drops that increase your average power level. The maximum currently is 305 and this can be achieved by simply grinding any of the activities available to you at that point. You can complete public events over and over in any of the open-world areas, where you complete objectives and kill enemies, possibly with the help of other random players or your friends. These are pretty entertaining but get repetitive quick as there’s only five or six that repeat every few minutes. You could go for strikes (dungeons) but these are quite slow and inefficient, only giving you a little bit of gear at the end. You can do crucible, which is the PVP mode where currently games take too long to be a good method of grinding, but you can get amazing rewards (not for being good, just for participating).

Then there’s the weekly tasks, each week you can take on public events on a certain planet, complete a more challenge form of a strike called a Nightfall, where you’re up against a time and various other modifiers, complete the Prestige Nightfall which is even more difficult, run through the raid, or complete Trials which is a special PVP mode where you see how many games you can win before you get a loss. Get seven in a row without losing and you get a huge amount of gear and a special emblem. Every week these tasks give you a new powerful reward that will boost your level considerably, and even with three characters it doesn’t take too long to get through all of them.

Now the problem is that after two weeks of completing all of these different events, I have maxed out a character, with the other two very close. Once you get to 305 there’s very little to strive for beyond finding certain weapons (complete luck for all but a few quest exotics). There’s no reputation levels to increase or progression for the PvP system at all.

So while I’m obviously a fringe case and not everyone will spend the amount of time I have on the game, Destiny fans are voracious and lots of people are already feeling a similar way, there’s just nothing to works towards. Think of WoW’s faction grinds, Call of Duty’s prestige modes or Battlefield’s ranks. There’s always progress, always a carrot to urge you on, and that’s what’s missing from Destiny 2 at the moment. It’s an incredible game, and I’ve loved all the time I’ve spent with it so far, but it’s hard to escape the feeling that there should have been so much more.

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Ark: Survival Evolved Review (PC)

So Ark is out of Early Access and is now officially released. A dinosaur based sandbox survival game, Ark sees you and your friends (or enemies) gathering, crafting, building, and taming on a tropical island (or a scorching desert in the controversial paid DLC). You go through an underpowered weakling struggling to survive on scraps of cooked meat and berries to a powerful clan with numerous complexes all over the map, mech-style gear for you and your dinosaurs and a mostly automated system of gathering so you never run out of crafting materials. But is it any fun?

My feelings towards Ark can be summed up in two brutally short stories. One evening, on an official server on the Xbox One, Naimgear and me spent five hours taming a pair of sarcosaurs (giant crocodiles) in the always-dangerous swamp. Taming involved knocking them out with a huge amount of crafted tranquiliser arrows and bolts, and then sitting by the unconcious beast while you feed it narcotics and meat for hours on end, praying that nothing from the swamp comes out to kill you. We eventually got both of them, made the dangerous swim back to our base using our very expensive saddles, and put both of them in a giant pen we had been creating for this very purpose. We logged off, satisfied that they were safe.

The next day we logged on and everything had been destroyed. The giant warehouse we kept our flyers in, the giant pen, both sarcos, everything was gone. This was because some other players had seen our base and wanted to destroy it, no other reason.

The second story was on an unofficial server on the PC with ‘TheArrow’ and Naimgear where gathering and taming was sped up to be twice as fast, making the tames and building not quite so painful. We had built up a huge metal base with turrets on top, vaults inside, and electricity to power all manner of top-tier crafting benches. We had a pet T-Rex, a Brontosaurus, a Quetzal (the largest bird in the game that is notoriously tricky to tame because it never lands) and more. While we were playing the other two had gone off to gather things from nearby mountains while I was doing some basic chores around the base, fertilising planets, filling up feeding troughs etc. Then it arrived. A gigantosaurus, the largest of the carnivores in Ark, spawned in the middle of our base. Instantly everything went crazy because it took a disliking to one dinosaur and bit it, causing every other dinosaur to attack. Suddenly the base was a flurry of tooth and claw, but the gigantosaurus was high level and was winning easily. They go berserk when they take too much damage, and this one was destroying absolutely everything with reckless abandon. The main metal base fell almost instantly, along with most of our supplies and defences. The collection of dinosaurs was decimated as many of the carnivores who might have been able to help were trapped behind the herbivores and the flyers were on passive to make sure no one could kite them out of our base. Eventually I hopped on the quetzal and led the lizard away into the sea, hoping to drown it. This involved flying close enough to make it think it could bite me, then flying up and away so it missed and chased for a while. Leaving the smouldering wreckage of our 100-hour base behind, I flew out to sea. Then it bit the bird and we lost that too.

Both of these events were immensely frustrating and the reason I quit playing on each console, but then both couldn’t have been that frustrating if it wasn’t for the tens of hours I spent building up to that moment. Ark is a game that draws you in and absorbs your time, and the thrill of exploration and expansion is very real. There’s nothing like building a huge fortress with your friends and there’s always a project to be getting on with. If you log in alone you can head off to gather some rarer materials or even just expand your buildings a little. When everyone is on together you can take on a challenging tame, or explore a cave (which are unbelievably tough challenges until you have end-game gear and levelled dinos) or raid another team’s base.

Of course there are horrible disasters that will befall you, but you can mitigate most of these through your choice of server and base location. PvP servers make the game much more exciting and makes success more rewarding, but you’re constantly faced with the threat of being wiped while you’re offline because people are cowards. PvE servers are safer, but a little more boring and you end up butting against the strange building restrictions that occur when you allow hundreds of new players to build little huts everywhere but then not letting you destroy them to make space. You can make your own servers and play offline single-player or with a small group but then you’re missing out on the social aspect of Ark altogether. The point is, you have a choice and that choice is very broad. You can play Ark how you want to play it and once you get into a server you like, there’s a huge amount of things to do and fun to be had.

Sadly, there’s also a lot of annoyances in the game that will cause you problems at some point and betray the game’s lack of polish. Dinosaurs will glitch through the map and clip into rocks, you’ll be attacked by things you can’t see (especially underwater), when you’re building things will get placed in the wrong position at the last second, wasting your materials. While Ark is an impressively broad sandbox, it’s not a very refined one, and the developers have focused on introducing new dinosaurs and tech into the game without ever really fixing some of the key problems.

Thankfully on PC you can use mods and private servers to alleviate much of this, and even add in new maps and features. It really is a very customisable game and will no doubt persist for a long while after the developers stop providing new things thanks to the excellent community that works hard to create new things for people to play with – but for a game that is now charging a high retail price (£50 at the time of writing) you’re going to be getting something of much lower quality than you would probably expect.

For all its issues, Ark is an incredible game. It’s easy to spend hundreds of hours in its worlds and each time you start afresh on a new server you’ll have all of that fun all over again, but despite it coming out of Early Access, do be aware that you’re very much paying £50 for something that feels like a work in progress.

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Agents of Mayhem Review

It’s strange to complain about a game based on what it’s not trying to do, but it’s almost impossible to avoid with Agents of Mayhem. It’s an absolutely fantastic, entertaining, polished, funny, fairly deep single-player experience. But it should have been a co-op game.

Agents of Mayhem is the latest game from Volition, famous for the Saints Row franchise, and this is evident in every part of Agents of MAyhem. Beyond the obvious links through the colour scheme and icons (and being able to play as Johnny Gat if you pre-ordered), AoM feels like a Saints Row game. The humour is on point, if a little crass, the violence is ridiculously over the top and gameplay trumps realism at every turn, and the missions tend to follow a similar structure. If you played Saints Row IV (and why wouldn’t you have, it’s amazing) you’ll be vaguely familiar with this take on the world, with superhero-esque powers and a massive open world city that serves more as a playground than something that feels alive. Certainly, with regards to the world and much of the game, you can see this has been partly inspried by Crackdown, with collectables shining on rooftops to clamber over and a wealth of ridiculous powers and vehicles to supposedly help you save the town as you ‘accidentally’ mow down innocent civilians in crossfire. This is Saturday-morning style superhero shenanigans at it’s best.

The basic structure of the game sees you choosing a squad of three agents from a pool of twelve to go out into Seoul and kill enemies, defuse bombs, and occasionally take part in a car chase. Down on the ground you can choose between the three agents on the fly and jump into any vehicle or call your own agency vehicle. Of course if you want to free-roam you can, and there’s plenty of collectables about to help boost your abilities and the agency, or you can just cause some mayhem with the tools at your disposal.

The city itself is by far the weakest part of AoM. It feels dead and lifeless, the civilians don’t react naturally and it’s hard to cause GTA-style chaos where your actions seem to have significant effects on the area. There’s no real destruction mechanics and car explode in a very unsatisfying way.

Thankfully the game is saved by just how much fun the mechanics are. Each agent plays differently with a unique main weapon, ability, and ‘Mayhem’ move. Each of these can be swapped out or modified for others back at the base. One uses a bow to get critical hits, one uses a freeze gun, one uses an SMG. Each character suits a different playstyle and you can switch between them at any time using left and right on the d-pad. Like tag-based fighting games when one gets low on health you can switch to another and let them heal up meaning the action never really stops and you get a lot of variety even within a single fight.

The enemies aren’t particularly interesting, but they are challenging and there’s a wealth of different difficulties (the menu seems like the one from Diablo 3) with the idea that you can push yourself to higher difficulties with higher rewards as you level up your agents and unlock more abilities.

The constant loop of missions, upgrades, exploration is unbelievably engaging and it’s wrapped up in some very funny writing and a visual style that is at it’s best when there’s a lot of chaos breaking out around you. If you hated the humour in Saints Row, you won’t be won over by this, but if you enjoy things that are a little more puerile and you enjoy the over-the-top excess of cartoons like Teenage Mutant Ninja Turtles or the animated X-men series, you’ll feel right at home. It’s hard to get across just how important this is, the game is just plain fun.

Which brings us back to our main complaint about the game. It should have been co-op.

You play the game with a team of three heroes, each hero has a range of abilities that work best in different playstyles and situations, the levels are big and usually quite open, there’s loads of jokes and teasing between the characters. There’s even a per-character progression system. It feels like the game was built for co-op then it was yanked out at some point to save time on production. As it stands, we can easily recommend this game to Saints Row fans. If they brought out an update adding co-op, we would recommend this game to everyone.

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Aven Colony Review (Xbox One)

We love survival colony games. From Settlers to Anno, it’s always been a nice change of pace from the usual hectic first person shooters and tense RTS games. The joy of starting out with an empty field then slowly building up a village, to a town, to a sprawling metropolis than is entirely self sustaining. Aven Colony fits into that category neatly, but sadly doesn’t do anything to push it onwards.

The basics are simple, you begin on an alien planet with colonists from Earth. You very quickly need to establish the basics: Power, Water, Food, Air, Storage, Entertainment. Usually in that order. Over time the game throws new challenges at you like a kind of fungus that grows on your buildings and needs to be scrubbed off by drones, or lightning storms and ‘shard storms’ that are basically just meteorites – but dealing with these is as simple as building a specific building.

As your colony grows there’s a wealth of things to farm and mine, chemicals to produce, and things to research – but essentially they all serve the same function, it’s either food or entertainment. This is symptomatic of the larger problem with Aven Colony, it’s all so bland.

After you’ve created your first proper colony and completed the first real campaign mission, you will have seen nearly everything there is to see. Each map has a new twist on the formula (maybe there’s nowhere to farm so you have to trade, or there overly-aggressive fungus that needs to be beaten back quickly) but the description of the campaign level basically tells you what you need to do. Very quickly you fall into a set building pattern of how to deal with challenges, then you just let it play out.

Difficulty settings are present, but essentially they are just narrowing the margins in which you can be successful. Once you understand how the systems work, the game is exceptionally simple, with very little RNG to mess you up.

Sadly the game isn’t immersive enough to be a fun distraction when you just want to relax. Everything looks incredibly generic and is quite low-res on Xbox One. You can occasionally see colonists milling about but they don’t really do anything other than walk from building to building. There’s no life or spontaneity in anything that happens – you’re just slowly expanding a collection of by-the-book sci-fi pods in a colourful, but forgettable landscape.

It’s a shame that the game is quite dull when it gets so much right. The controls, often a bugbear in strategy games on console, are spot-on. Whoever has designed the interface is a genius as everything is immediately accessible and not once did I feel using a gamepad was getting in the way of what I wanted to do. The quest system too is quite good, giving you a range of different challenges that don’t distract you from your overall goal, but let you try something different for a few moments like growing a load of a certain crop, processing it, and trading it. Even the voice acting is a step above other games in the genre on console – but however satisfied you can be with the mechanics of the game, there’s just no heart to it and nothing unique to keep it fun.

If you’re desperately looking for a colony-builder on console, Aven Colony is a fine game, just go in aware that’s uninspired and unlikely to last you more than a mildly entertaining evening.

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Injustice 2 Review (Xbox One)

Last year Street Fighter V came out and many of us (including me) were shocked at just how little content it offered. This was a game created almost purely for the hardcore tournament goers, no single player to speak of, no progression, just a roster of character and a solid offline multiplayer and slightly shaky online. For people who are really into fighting games, that might be all they need, but for the millions of casual fighting games fans around, it felt far too sparse. Enter Injustice 2, possibly the most generous fighting game I’ve ever seen.

For starters, Injustice 2 is a direct sequel to the first game. While the roster has changed (lots of heroes have been taken away including Zatara, Lex Luthor, Doomsday, etc) the campaign follows on directly from the first game and the fighting systems are all intact. You still build up a super meter that can be used to augment attacks, bet on a wager, or unleash your super-move; you can still hit people off the stage into a new one; you can still interact with all kinds of things in each area (if you want, all of this is customisable).Anyone familiar with how the first one played will be instantly at home, but there are some new toys for anyone who was put off by the simplicity of the first game.

Now that super meter can be used for something much more technical than just adding damage to your moves. You can now use a bar of it to do a counter mid-combo to make sure you always have a chance to break free. This is a combo-heavy game and the ability to do an air-counter when you’re juggled into the air is an absolute godsend as some characters can destroy you as soon as they bounce you up. This new feature seems to make the game a lot fairer and even online all of my games have been incredibly close, with far fewer whitewashes just because someone gets control early on.

Of course all of this doesn’t mean much if you’re just here for the fancy fighting and characters you know, and that’s where the campaign really shines. It might be cheesy and over-the-top, but it manages to fairly intelligently weave in every major character (except the pre-order exclusive Darkseid) into a plot that sees many of the DC heroes facing off against Braniac and a collection of the villains. If you haven’t played Injustice the roster might be confusing, with Superman now a villain in prison and Harley Quinn on Batman’s side, but with a couple of YouTube videos you can catch up quickly and enjoy the ride.

The campaign is a series of fights with cut-scenes in between and the occasional choice of which character you’d like to fight as. The cut-scenes are fantastic with some spectacular set-pieces and outstanding facial animation. The characters sometimes look a little odd, but the animation on characters such as Gorilla Grodd and Braniac sets a new bar for in-engine scenes.

Speaking of the characters, no-one can accuse the developers of playing it safe. Alongside series stalwarts like the Justice League, the Joker, and Bane, we’ve now got a group of new additions from characters made popular by recent TV shows (Supergirl, Captain Cold, Firestorm, Gorilla Grodd), classics of the comics who aren’t given enough screen time (Swamp Thing, Darkseid), and some strange characters who I’d never heard of before (Cheetah and Atrocitus). The roster is incredibly diverse with no two characters playing the same. There’s no group of ‘heavies’ anymore, each character has their own quirks and ways of holding control, from Grodd’s incredible rushing potential to Deadshot’s extreme zoning.

All the characters also have a tonne of dialogue with specific lines for every single match up, often with references to the comics or films. Some of the designs are perhaps less convincing this time around, with the Joker being more inspired by Leto’s Suicide Squad version moreso than other popular takes on the character, and Green Arrow oddly going for the classic comic version rather than the TV show. Still, there’s always the potential for new skins and I sincerely hope (I can’t believe I’m saying this) there’s a bunch of DLC packs for skins in the near future.

To top off the progression system there’s a huge number of collectables that serve as gear on your characters. If both players agree this gear can be used in multiplayer, boosting stats as well as having a visual impact. If you like the stats of one piece (and there are hundreds of different items) but not the look, you can even transmogrify everything to keep the look and shaders you want, but with the bonuses you need. The idea of having stat-enhancing gear sounds terrifying, but so far online it doesn’t seem to have too much of an impact as most of the boosts are relatively minor or only activate until very specific conditions, like never jumping, or being in a certain part of your health bar.

To get all this gear you unlock loot boxes, which are liberally given out through the campaign, levelling characters, levelling your profile, or possibly my favourite thing about the game, the Multiverse. The Multiverse gives you loads of sets of challenges that rotate on timers, from hourly, to daily, to weekly. If you finish a challenge (with interesting mutations like being able to call in Constantine to help, or both players being able to heal by collecting pickups) you get gear and box and xp rewards, and can face off with other players on leaderboards. This means there’s constantly more things to do and if you just fancy a quick fight without the pressure of fighting online, there’s always plenty for you to do.

Of course there’s even more to this game that I haven’t really mentioned. There’s a guild system, there’s progression challenges, different difficulties, a whole season of DLC coming and built-in tournament options. It’s basically everything you could ever want in a fighting game, with gorgeous graphics, a fantastic roster, and engaging mechanics. If you’re into DC, or fighting games, this is an essential purchase.

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Titanfall 2 Review (Xbox One)

We’ve been excited about Titanfall 2 for a long time purely because it’s a sequel to one of our favourite multiplayer FPS games of all time. That being said, we were worried. We’d been on holiday over the beta so had missed out on that, and with Battlefield 1 being released a couple of weeks ago (and being excellent) and Call of Duty coming out a week later, we thought it might get buried, forgotten, and ignored like so many brilliant games that were released at the wrong time. Thankfully Titanfall 2 is being to shine through it’s unfortunate (or incompetent on the part of EA) release window and has actually managed to drag us away from Battlefield. Titanfall 2 is everything we wanted and so much more.

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The multiplayeris very similar to the first game in nearly all the right ways. You still fight over control points, or kill AI opponents, or capture flags, or kill enemy players in order to get points. As you gain points yu also gain percentages towards your Titan meter. At a specific point on this meter you unlock a boost like a Smart Pistol (no longer a normal equippable weapon) or a turret or mines. Once the meter reaches 100%, you can call down your Titan. The Titans make exactly the same sounds and visual impact on the game as they did before and I genuinely can’t see what Respawn could have done to improve it. Screaming from the sky in a fireball of cloud and steel they smash into the ground and await your instructions or get ready to help you climb in. Jumping into your Titan is incredibly empowering. You go from an agile but flimsy weakling darting around the battlefield to a 30ft tall death machine. Obviously as the game goes on other players will get theirs too and it quickly separates into a war of two fronts with pilots duking it out in the buildings and on objectives while Titans do their best to gain map control and prevent the pilots from going around their business. When it works and your team manages to keep a few titans while destroying all of your opponents’, it feels amazing. Suddenly you can lock down the map and quash any resistance.

Of course Respawn didn’t want that to be the end of a round so now pilots have even more abilities designed to help them get around and avoid the Titans’ attacks. There’s a grappling hook that lets you clamber up ledges and onto Titans quickly, a phase shift that lets you shift out of real space for a while and then reappear at another point, and even a decoy that will run ahead of you and hopefully confuse the opponents into shooting the wrong way. Games of Titanfall never get boring and there’s always something to do or a problem to solve, within short spaces of times it’s amazing how quickly you transition between different tactics and strategies alongside a team you’re not even speaking to, from armoured warfare to guerilla defenses to free-running sprints across the map. Even when you lsoe a game the desperate sprint to the (now much more fragile) escape dropship feels exciting and meaningful.

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In terms of what’s new for Multiplayer, there’s now six Titans instead of three, but you can no longer select the weapon for them. There’s still a 40mm cannon attached to Tone who plays the most like the old Titans, but then there’s some interesting new takes on the machines like Scorch who can set down petrol bombs ready to ignite large areas, or Ronin who can dart around and phase shift then lay waste to enemies with a giant sword. It might not be practical or realistic, but it looks amazing.

The weakest part of the multiplayer offering is definitely the maps. Although the layouts are quite interesting and work well, visually they’re very dull and nowhere near as good as those found in the base game. Thankfully Respawn have said that all future maps will be free, so perhaps they can change things up with DLC, but at the moment every map essentially feels like a series of boxy buildings. One has caves and a crashed ship, and one is in a giant building, but the rest are all pretty forgettable. We’re also a little annoyed by the lack of viewable stats, but it’s understandable that Respawn didn’t want people working to improve their K/D ratio at the expense of the rest of their team as happens so often in Call of Duty and Battlefield. At least having some basic stats like kill streaks and win percentage would be really useful.

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Now the most surprising thing about the game package is the single player. The original Titanfall didn’t even have a single player – it was purely multiplayer combat, but Respawn decided to do more than just dabble with a campaign and have created a short but incredibly impressive story that doesn’t just help to explain what’s going on in the Titanfall universe, but actually makes you care about the characters. The level design is top notch with each mission introducing you to a new mechanic or tool that feels natural to use in the situations you are presented with. Interestingly there’s plenty of platforming involves in the campaign and trying to find some hidden helmets that serve as collectibles is actually one of the most entertaining things we’ve done in a game this year. The free-running puzzles involves have been far more engaging then the entirety of Mirror’s Edge Catalyst.

Overall Titanfall 2 is an absolute no brainer for anyone who enjoyed the first game. If you’re new to the series this is a refreshing and entertaining take on the FPS genre and easily up there in terms of quality against the big hitters. We only hope it survives well enough against BF1 and COD to warrant a Titanfall 3.

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Five Tips for starting out in No Man’s Sky

So we’ve been around the galaxy and back, all the way to the centre! So we know a few things about what’s going on in No Man’s Sky. That being said, a lot changed in patch v1.03 so in this collection of tips and tricks we’re going to stick with what we know that might help you out in No Man’s Sky.

1. Only take what you need

No Man’s Sky is going to be a nightmare for the kleptomaniac RPG players that love to pick up everything they see just in case they need it later (only to never use it in case they need it even later). Although the inventory upgrades are great, so you can now hold much more in each slot of your inventory, there’s so many different things you’ll pick up, it’s not practical to keep grabbing everything. It’s always handy to have a stack of plutonium, heredium, carbon, and iron, but anything else should only be considered if you’re saving up to make something right now, or if you think it can fetch a pretty penny. Things like gold are always valuable, and seemingly not that rare, so it might be worth grabbing a stack of that. To help you find things, plutonium is found as big bright red crystals poking out of the ground, and is very common, but important because it helps lets you recharge your thrusters to take off and your life support, so it’s handy to have a stash just in case you land on some desolate wasteland, and keep it topped up. Heredium is harder to find, and appears as big blackish blue square pillars on the landscape, but is used to make loads of different things. Early on you need a tonne of it, and even later you need it to build warp cells. Carbon and iron are everywhere, with carbon making up all the lifeforms and iron making up most of the rocks, but it’s important to take some with you when you head back into space in case someone on a space station needs it. It’s surprisingly hard to find rocks and plant matter on a space station! Thamium9 is super important too, powering your pulse engines, but it’s in nearly every asteroid, and loads of red plants on the surface, so it’s always easy to find more if you ever run out.

2. Line up your upgrades

All of your upgrades in your exo-suit, ship and multi-tool belong to a certain type. If you have upgrades of a similar type (so beam next to beam, warp drive, next to warp drive upgrade) they get a not-insignificant boost to their power. This is useful when you’re looking at new multitools and ships, as you not only want to the most slots possible, but you also want to make sure the existing immovable features like hyperdrives are in good places where you can connect other things to them. Plan ahead for your exo-suit, it’s a good idea to have a column dedicated to life support, one for shields, one for jetpack, and so on.

3. Focus on multi-tool upgrades first

There’s no point getting ship upgrades early because you’ll change your ship fairly quickly and you can’t swap over upgrades to a new ship. Your exo-suit is very limited in capacity at the very start so you really want to save that space for minerals until you’ve got a few more slots. You’re multi-tool on the other hand is a great thing to upgrade. Get the scanners as quickly as you can so you can find things, then also be sure to get some weapon upgrades and grenades. Grenades can often end a fight with wildlife in a single shot and they also let you dig out anything that might be buried by the terrain. The upgrades are also super cheap!

4. Get to an Atlas station quickly

While it’s tempting to dawdle on all the amazing planets you see, and that’s a big part of the game, making a beeline to the first Atlas station should be a priority. Once you’ve visited one then you will be find a space anomaly in the next solar system and there you will get an Atlas pass recipe. When you get your Atlas pass you can enter a lot of locked doors and open locked containers, making much more of all of your exploring. You should be able to get there in about five jumps from the start, so it takes a bit of scavenging first, but after that jumping will become a breeze and the galaxy really opens up to you. Plus it’s one of the coolest things I’ve seen in a videogame.

5. Don’t be afraid to fight the sentinels

When the sentinels are breathing down your neck, it’s tempting to panic, but they’re surprisingly respectful if you hold your ground. Your laser is better than theirs so if there’s only one or two, take them out and it might just deactivate the alert and let you off scot-free. If you try to get in your ship and fly off to space sentinel ships will spawn around you and chase you down, and they’re a slightly bigger headache than their planetary brethren. If you really need to go on the run while you’re on a planet, get into a building. They won’t follow you and often it’ll get rid of the alert too. Don’t try to jump in a cave as you’ll often find yourself trapped in a dark room with sentinels and possibly angry wildlife all ripping you to shreds. Then when you die you’ll have to jump back into that same cave to get your stuff. Good luck with that.

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Uncharted 4: A Thief’s End Review (PS4) Spoiler Free

Uncharted 4 is a beautiful game, but it isn’t quite the masterpiece that it tries so hard to me. For long-time series fans, in our minds the order goes something like UC2>UC4>UC3>UC1. The series has always been great, with every entry being at the very least incredibly entertaining, but unfortunately the series has always had some significant problems that they never quite managed to solve.

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In terms of plot it’s helpful to have played the previous games but by no means essential. Naughty Dog are experts when it comes to presenting characters and while the supporting cast are significant because of their roles in the other entries, really you find out everything you need to know quite early within the game. One nice thing about Thief’s End is that although there are plenty of documents and notes, the story is told through the narrative, action and dialogue. The extra pieces of text really just flesh out the stories that Drake himself is researching. If you read everything you find on every collectible, you’ll have a much better idea of the pseudo-history that brings life to the setting, but to follow the main plot you don’t need any of that at all. The dialogue itself is absolutely fantastic, some of the best in a series that has been consistently outstanding in every entry. Every little interaction is funny, tense, or profound. Very quickly you begin to care for the main characters and a combination of great scripts and incredible motion capture and voice work brings every little worry and moment of joy they have to life. There really aren’t any other games that have the kind of spark that Naughty Dog can capture, with even Rockstar’s finest work being very hit or miss in comparison. The overall story arc is a little ho-hum in terms of treading old ground, and the characters even mention this repeatedly. This is a problem we’ve seen before in parody games, where the game makes you do something dumb, then comments on how dumb it is as if that is some great satire. Unfortunately when the game makes you do something tiresome, frustrating, or predictable, it doesn’t matter how much it pokes fun at itself, you still had to do those things. There’s a couple of sequences in particular that are guilty of this and although they don’t ruin the pacing, they could easily have been left on the cutting room floor and brought the game down to less than 10 hours and we really think it would have been better for it.

The graphics are stunning. We haven’t seen anything this impressive on consoles, surpassing even Quantum Break, The Order, and The Witcher. Not only are the models and textures supremely detailed, but there’s so many little nuances to the way things move and the way things fall apart that you find yourself sucked into whatever you’re doing, no matter how outlandish it seems. Beams you stand on flex with weight, characters are conscious of what they’re doing with their guns when they sit down, characters clamber around or over each other instead of clipping through. Ok so there’s some clipping into scenery here and there but 95% of the time, it works every time. Many of the vistas are spectacular, although the settings aren’t quite as interesting as the last two entries in the series. There’s a lot of similar colour palettes and familiar looking-caves, but it’s hard to fault this when they’re so vividly decorated and crafted. There’s a photo mode built into the game and we can imagine many players spending hours just with that trying to capture the majesty of some of the views and environments. The fact this all holds up without a hitch in the 30fps frame rate even when there’s explosion and buildings collapsing is remarkable.

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The gameplay is definitely improved from previous games, with much better combat mechanics and no real bullet sponge enemies. Enemies can nearly always be brought down with a single shot to the head and even the most armoured foes can have their armour stripped away in a fashion that makes sense. Fights are scrappy and enemies are quick to flank, even if they’re not quite as clever as they seemed in the earlier videos. They will surround you and use grenades to flush you out, and most cover is destructible so it’s important to keep moving. We died plenty throughout the game but thankfully checkpoints are exceptionally generous, often occurring in the middle of firefights and before every big jump.

The climbing is probably the single biggest improvement to the game. You can control it much as you did before, but now you can also use the analog sticks to move your arms around to grasp out for handholds. If you find one you naturally shift over to it without pressing a button. It’s very convincing and the fact that there’s multiple routes up in nearly every situation makes the whole mechanic much more realistic. You also have a new tool to play with, a grappling hook that can be used to swing across gaps or abseil down cliffs. Of course it uses some ridiculous physics, but it’s so much fun and rarely frustrating so we can forgive the magic it uses to grab on to things then detach while you’re in mid air. It’s also used for some clever new puzzles where you must manually loop it around things and hook it onto itself to drag things around. This sounds very simple but the first time you do it is a revelation after years of playing games that do that kind of thing for you.

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The multiplayer is very similar to what you’d expect from previous Naughty Dog multiplayer modes. It’s less innovative that Last of Us but is definitely entertaining and has a progression system based around coins that is incredibly generous, to the point where you can buy pretty much everything you want (skins, mostly) within not too many games. The game runs at a smooth 60fps in multiplayer which feels a little odd but is definitely appreciated, and the maps are all a lot of fun to play and very detailed. Our one gripe is that the special weapons in multiplayer are slightly overpowered and not that much fun to come up against, but that’ll probably change as we get better with the game.

Overall this is an easy game to recommend. We do think it’s too long and there’s plenty of repetitive content that could (and should) have been cut out, but when the game is good it’s really like nothing else. If you’ve been a fan of Uncharted before, this is a no-brainer and right up there with the best in the series. If you’ve been put off by Uncharted 3, we still think this is well worth your time and money to experience what might be the best adventure game on consoles.

Verdict 9.

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Gridom – A tool to find other gamers

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As interconnected and social as gaming is right now, it can often feel pretty lonely. If you’re playing through a co-op game like Borderlands by yourself it feels like half a game, but as you get older your friends have other commitments, they might not have the same game, or they might not even game at all anymore. You could set your game to public and let anyone in, but most of the time they won’t be using a mic, they won’t be wanting to do the same thing as you and there’s a decent chance they’ll be actively trying to troll you rather than enjoy the game alongside you. So what can you do? Sign up to Gridom.

Gridom is a website that allows you to sign up and create or search for game lobbies for a selection of games. It takes seconds to set up a lobby, select your platform and region and describe what you want to do. Then anyone can see what it is you want to do, whether you have a mic or not and then join if they’re interested. This takes you to a sleek chat lobby that lets you iron out the finer details. Choose the difficulty, decide who’s hosting, work out how you’re going to chat by sharing Teamspeak or Skype details. While you’re waiting for people to join your lobby you can still go look around for others without leaving and once you’re full, you just start up your game, get everyone in and then click on the shield icon to let the website know that you’re done. This closes the lobby down so people aren’t having to join dead games.

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We spoke to the creators of Gridom and it’s reassuring how much they care about the finer details in this project. Yes you have to register but that’s by design. There’s no sinister data tracking or advertising, instead it gives them to capacity to avoid toxic behaviour, something that has been pushing people away from gaming communities for the last five years or so. If you’re giving yourself a bad name amongst the community, you could be banned. Hopefully this will lead to a faith that if you find a group on Gridom, you’re going to be able to have a good game with them.

At the moment there’s 28 games that can be searched for, but not all of them are the most obvious choices. There is Call of Duty, Halo and Destiny. But then there’s also Terraria, Hearthstone and The Golf Club. New games will be added and rotated through consistently but there’ll always be a wide variety to cater to different tastes. There’s no elitism present, no pretension of being purely for ‘pro’ players. Everyone is welcome, on any platform for any type of multiplayer game. If you’re a casual Smash Bros player who needs a sparring partner, you can find someone. If you just want to mess around with unlimited poke balls, you can do that too.

We’re excited about the potential for Gridom, but as with most communities, it’s only going to thrive once the word is out. So help out and tell your friends!

See you on Gridom.

You can join Gridom at www.Gridom.com

 

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PS4 Sells 2.1 Million Worldwide

Overnight, Sony Computer Entertainment have announced that the Playstation 4 has sold 2.1 Million units around the world.

The awesome milestone was shared in a post on the official PlayStation Blog by Sony Computer Entertainment president and group CEO Andrew House.

“PS4′s North American debut on November 15th was PlayStation’s largest ever, with more than one million gamers picking up a PS4 in just 24 hours,” he said. ”Now, with PS4′s global launch expanding to a total of 32 countries worldwide, including Europe and Latin America, I’m proud to announce that more than 2.1 million PS4s have been sold.”

House also thanked fans for their support of the Playstation ecosystem.

“I want to personally thank PlayStation fans, both old and new, for your vote of confidence. The best part: the PS4 journey has just begun. In addition to an incredible lineup of PS4 games from the best developers in the world, we will continue to introduce valuable new features and services to PS4 in the months and years ahead. While PS4′s capabilities will continue to evolve, our commitment to gamers and breakthrough entertainment remains steadfast. We believe that video games represent the pinnacle of artistry and entertainment, and we will work tirelessly to make sure that PlayStation remains the best place to play.”

The launch of the race for leading the next gen positions Sony ahead of its nearest competitor, Microsoft. Days after the Xbox One’s launch across Europe and North America, the corporation announced it had sold one million units in under 24 hours.

When the PS4 became available in Europe, last Friday, it became the fastest selling console in the countries history, pushing 250,000 units in the past weekend, beating the long-surviving eight year sales record held by the original PSP, which moved 185,000 units in its three days of sale.

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